quotations about writing
I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.
DAVID SEDARIS
Oasis Magazine, June 2008
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
CYRIL CONNOLLY
Enemies of Promise
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
First, think in as homely a way as you can; next, shove your pen under the thought, and lift it by polysyllables to the true level of fiction.
CHARLES READE
Peg Woffington
The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.
CHARLES DE LINT
The Blue Girl
I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.
CHARLES BUKOWSKI
Interview Magazine, September 1987
Some people talk to themselves, and some people write, and somehow society has decided that one gets committed and one gets a paycheck.
BOB LONSBERRY
official website
I write because I hate. A lot. Hard.
WILLIAM H. GASS
The Paris Review, summer 1977
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.
THOMAS MANN
Tonio Kröger
After a few days of writing I am as happy to see people as if I've been marooned on a desert island for a month.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
ROBERT STONE
attributed, A Writer's Book of Days
I always have the feeling that I'm never going to be able to write anything funny again. That's why I keep writing funny things. I have to prove to myself that I'm wrong.
RITA RUDNER
interview, Huffington Post, March 18, 2013
Writer's block is only a failure of the ego.
NORMAN MAILER
attributed, A Writer's Time
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
LOUISE ERDRICH
The Paris Review, winter 2010
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013